The best thing about the film is the least Tati-ian thing about it. My wife, who spent time in Edinburgh in her youth, came out of the theater humming the backgrounds. Both the Scottish Highlands and the cityscapes are beautifully drawn. On the other hand, I have never seen as many buses in one film as we get here. My wife assures me that Edinburgh was like that in the ‘50s.
As happens when women live together, their menstrual cycles end up in synch, with even the gay guy having sympathetic pains
It’s not Nora or Nancy: This is a so-so rom-com. The story may not seem that fresh to you. Boy and girl meet at summer camp, then again in college and yet again when they are young professionals. One is now a doctor doing a residency, the other a television production assistant hoping to become a writer. e., “fuck buddy”/“friends with benefits” sex. It’s so common in movies we have all these terms for it. And we know what is going to happen. In spite of their insistence they won’t, one of them falls in love with the other and complications ensue. Needless to say, they get together in the end. So why should we watch?
She lives in an apartment with three other residents, two of them women, the third a gay man
The doctor is the woman. And the production assistant is the guy. Well, that might be interesting for about a minute and a half. But the doctor is not what you would expect from a “woman screenwriter.” If this were a Nora Ephron script, Emma would be a neurotic ditz who loves food and whom we are encouraged to find “cute.” Emma is not neurotic and she is not a ditz. She eats fast food, when she can be reminded to eat. She is cute (Natalie Portman, given a lot more to do than she did in Black Swan), but not “cute.” Nor is this a Nancy Myers script. Emma does not live in a big house with a kitchen the size of James Cameron’s ego. Emma is a very modern professional woman, focused on her work. Which leads to the best joke in the film: Adam creates a “period mix tape” for Emma, with such songs as “Sunday Bloody Sunday” and “I’ve Got the World on a String.” The two other women residents are not ditzes either, but just as professional as Emma. The closest we have to a woman ditz in the script is Lucy, Adam’s supervisor, and she is too smart and hardworking to be a ditz. She is something of a flake, however, and Lake Bell, who plays her is getting back at Nancy Myers (see my comments on It’s Complicated in US#39), by showing that she has real comics chops. When it looks like Adam may get together with her, we are rather torn. Emma is appealing in her own tough way, but Lucy has her charms.
One of the truisms of the screenwriting business is that men often have trouble writing women characters and women have trouble writing male characters. Meriwether’s Adam is a little too perfect. He is handsome (Ashton Kutcher, beginning to grow up), not neurotic at all, and just devoted to Emma. He never puts a foot wrong, which gets a little annoying. Would a real guy make a period mix tape? It’s a funny idea, but still. He also has some buddies he hangs out with but they are standard-issue buds. The most interesting male character is Alvin, Adam’s father, a former TV star. He is something of how to see who likes you on koreancupid without paying a lech and spends most of the film with Adam’s previous girlfriend, a British tart named Vanessa. This upsets Adam, which I think is supposed to show his dark side, but it’s more logical than neurotic.